When the portraits of In the American West are reviewed it is surprising to discover that the elegance of Avedon's photographs does not depend on very elegant models nor on fashion designers in their golden age. Elegance is in the eyes of the photographer. Of the many portraits the figure of Clarence Lippard is especially striking. At first glance he is not very different from a very elegant Beckett or a deep Capote. The dark jacket and white shirt give a soft distinction that enhances those light-colored eyes and emphasizes the strange freckles on his face. Avedon has totally transfigured Clarence Lippard the drifter from Interstate.
Clarence Lippard Tramp. Interstate Highway Sparks Nevada. August Perhaps one of the most e-commerce photo editing striking images is that of Boyd Fortin a teenager from Texas who synthesizes human passageways his androgynous face wanders between femininity and masculinity he is not a child but he is not an adult either. His blond hair is soft but coarse. He awakens from the reverie the blood that covers the subject's chest and from his hands a recently disembowelled headless rattlesnake. The angelic and the diabolical are opposed with an unparalleled force.
Was brought to the public's attention at the corresponding exhibition in Fort Worth Texas at the Amon Carter Museum. The show caused a furor and is considered Avedon's most important work to date. Richard Avedon. Debbie McClendon carnival worker Thermopolis Wyoming. July When Richard Avedon wanted to photograph homeless people waitresses scumbags or oil workers he was dealing with totally different subjects than he had done in the last forty years.